In The Press

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In The Press

The Spectral Vision of Fantasmas: Inside Cinematographer Sam Levy’s Frame

HARBOR x GIFTED YOUTH x BBH

(6) Harbor Artist Nominations – HPA 2024 Creative Category Awards

Reenacting Reality: The Unique Visual Style of Lance Oppenheim’s Ren Faire

HARBOR EXPANDS UK ADVERTISING TEAM WITH APPOINTMENT OF ALEX GREGORY AS ECD, ADVERTISING COLOR

2024 PARIS OLYMPICS RECAP COMMERCIAL

STYLIZED REALITY: TELLING ROB PEACE’S STORY IN COLOR & SOUND

Harbor Grand

Yes, we do make it out of the dark room. Sometimes.

CREATING IMPRESSIONS OF ’80S NEW YORK FOR NETFLIX’S ERIC

Mother, Couch: Niclas Larsson’s Lyrical Exploration of Family and Memory

Grade Expectations – Definition Magazine, Toby Tomkins on Great Expectations

FILMLIGHT 2024 Colour Awards Jury Member – Damien Vandercruyssen

WE ARE LADY PARTS — “TBD” Episode TBD — Pictured: (l-r) — (Photo by: Parisa Taghizadeh/Peacock/NBC Internatiional/C4)

Q&A with CINEMATOGRAPHER DIANA OLIFIROVA and COLOURIST TOBY TOMKINS

FROM PROMPT TO STAGE: CRAFTING AI VISUALS FOR MADONNA’S WORLDWIDE TOUR WITH DIRECTOR SASHA KASIUHA

BY DAYLIGHT AND CANDLELIGHT: EMBRACING THE DARKNESS OF GREAT EXPECTATIONS

Based On Actual Events – Andrea Chlebak

ACTION VS. INTIMACY IN PRIME VIDEO’S MR. AND MRS. SMITH

HARBOR ADDS AWARD WINNING SUPERVISING SOUND EDITOR AND RE-RECORDING MIXER RUY GARCÍA TO ARTIST ROSTER

RON HOWARD AND EDITOR PAUL CROWDER ON NEW JIM HENSON DOC, POSTPERSPECTIVE

MELISSA CANOSA JOINS HARBOR AS VICE PRESIDENT OF FINANCE

RIDING SHOTGUN WITH NICOLAI IUUL & NATE CALI

Based On Actual Events – Billy Hobson

ENTERING FX’S SPERMWORLD WITH LANCE OPPENHEIM

HARBOR APPOINTS THOM BERRYMAN AS MANAGING DIRECTOR, FEATURE & EPISODIC, UK

Based On Actual Events – Oisín O’Driscoll