In The Press

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In The Press

Director Robert Eggers and the Bloodcurdling Sound of Nosferatu #DolbyCreatorTalks

Harbor Holiday Watchlist 2024

November Recap #OUTNOW

Harbor x Walmart Deals of Desire

HARBOR EXPANDS WITH DEDICATED DAILIES FACILITY AT SHEPPERTON STUDIOS

#TideTackles

Sweetpea Q&A with DP Nick Morris & Colorist Toby Tomkins

Mara Ciorba wins Best Colourist at Young Arrows 2024

Yes, we do make it out of the dark room. Sometimes.

shots Awards EMEA 2024 Jury – Toby Tomkins

shots Awards EMEA 2024 Jury – Toby Tomkins

Explaining the New York Post-Production & VFX Tax Incentives with Yana Collins Lehman

The Spectral Vision of Fantasmas: Inside Cinematographer Sam Levy’s Frame

HARBOR x GIFTED YOUTH x BBH

(6) Harbor Artist Nominations – HPA 2024 Creative Category Awards

Reenacting Reality: The Unique Visual Style of Lance Oppenheim’s Ren Faire

HARBOR EXPANDS UK ADVERTISING TEAM WITH APPOINTMENT OF ALEX GREGORY AS ECD, ADVERTISING COLOR

2024 PARIS OLYMPICS RECAP COMMERCIAL

STYLIZED REALITY: TELLING ROB PEACE’S STORY IN COLOR & SOUND

Harbor Grand

75th Emmy Nominations

CREATING IMPRESSIONS OF ’80S NEW YORK FOR NETFLIX’S ERIC

Mother, Couch: Niclas Larsson’s Lyrical Exploration of Family and Memory

Grade Expectations – Definition Magazine, Toby Tomkins on Great Expectations

FILMLIGHT 2024 Colour Awards Jury Member – Damien Vandercruyssen

WE ARE LADY PARTS — “TBD” Episode TBD — Pictured: (l-r) — (Photo by: Parisa Taghizadeh/Peacock/NBC Internatiional/C4)

Q&A with CINEMATOGRAPHER DIANA OLIFIROVA and COLOURIST TOBY TOMKINS

FROM PROMPT TO STAGE: CRAFTING AI VISUALS FOR MADONNA’S WORLDWIDE TOUR WITH DIRECTOR SASHA KASIUHA

BY DAYLIGHT AND CANDLELIGHT: EMBRACING THE DARKNESS OF GREAT EXPECTATIONS