Interviews

Interlocking artistry and technology from set-to-screen

In The Press

ADRIAN SEERY ON THE GRADE FOR KELLY REICHARDT’S SHOWING UP

A CONVERSATION WITH SHANA HAGAN, ASC AND SENIOR COLORIST NICK HASSON

HARBOR’S STEVE PERSKI DETAILS HIS APPROACH TO ADVERTISING SOUND DESIGN

THE COLOR CODE PODCAST EP: 001 – ANDREA CHLEBAK

Thinking in Sound: Finding a Unique Sonic Identity with Brian Battersby

“Watchmen” and Harbor Colorist Todd Bochner Joins Filmmaker U!

Making the Grade: Being a ‘Swiss Army Knife’ with Billy Hobson

MEET HARBOR SENIOR COLORIST ADRIAN SEERY ON TUESDAY AT 2PM ET ON FILMMAKER U! ARTICLE COURTESY OF FILMMAKERU

Yes, we do make it out of the dark room. Sometimes.

Outer Range Sound: Wyoming Landscapes and Supernatural Holes – POSTPERSPECTIVE

BY LOUIS GORDON “The West is a place of wonder. It’s the kind of place where mysteries happen, and the…

Join us with Veteran Colorist Nick Hasson on Filmmaker U!

Joint winner for best colour grading in TV Series/Episodic: Damien Vandercruyssen at HARBOR, for ‘Lisey’s Story’

Join Filmmaker U with HARBOR Colorist Anthony Raffaele!

Meet the Artist — Video Chat: Harbor Colorist Andrea Chlebak with PostPerspective

PASSING – (L-R) RUTH NEGGA as CLARE and TESSA THOMPSON as IRENE. Cr: Netflix © 2021

Netflix’s Passing: Shot in color and delivered in B&W

Emmy-nominated Supervising Sound Editor Ian Cymore Joins Filmmaker U!

Dailies Colorist Kevin Krout Joins Filmmaker U!

Sight, Sound & Story: Live – Making it Work: From Cinematographer to Colorist