Interviews

Interlocking artistry and technology from set-to-screen

In The Press

ED & JOE: A CINEMATOGRAPHER AND HIS COLORIST

RECREATING 2000S FLORIDA IN SUNCOAST WITH LAURA CHINN AND IAN CYMORE

THE “FILM LOOK” AND HOW THE HOLDOVERS ACHIEVED IT – FILMMAKER MAGAZINE

ADRIAN SEERY ON THE GRADE FOR KELLY REICHARDT’S SHOWING UP

A CONVERSATION WITH SHANA HAGAN, ASC AND SENIOR COLORIST NICK HASSON

HARBOR’S STEVE PERSKI DETAILS HIS APPROACH TO ADVERTISING SOUND DESIGN

THE COLOR CODE PODCAST EP: 001 – ANDREA CHLEBAK

THINKING IN SOUND: FINDING A UNIQUE SONIC IDENTITY WITH BRIAN BATTERSBY

Yes, we do make it out of the dark room. Sometimes.

Making the Grade: Being a ‘Swiss Army Knife’ with Billy Hobson

MEET HARBOR SENIOR COLORIST ADRIAN SEERY ON TUESDAY AT 2PM ET ON FILMMAKER U! ARTICLE COURTESY OF FILMMAKERU

Outer Range Sound: Wyoming Landscapes and Supernatural Holes – POSTPERSPECTIVE

Join us with Veteran Colorist Nick Hasson on Filmmaker U!

Joint winner for best colour grading in TV Series/Episodic: Damien Vandercruyssen at HARBOR, for ‘Lisey’s Story’

Join Filmmaker U with HARBOR Colorist Anthony Raffaele!

Meet the Artist — Video Chat: Harbor Colorist Andrea Chlebak with PostPerspective

PASSING – (L-R) RUTH NEGGA as CLARE and TESSA THOMPSON as IRENE. Cr: Netflix © 2021

Netflix’s Passing: Shot in color and delivered in B&W

Emmy-nominated Supervising Sound Editor Ian Cymore Joins Filmmaker U!

Dailies Colorist Kevin Krout Joins Filmmaker U!

Sight, Sound & Story: Live – Making it Work: From Cinematographer to Colorist