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Interlocking artistry and technology from set-to-screen

In The Press

Harbor Acquires London-Based Studio CHEAT for Premium Advertising Color Grading

HARBOR x NYFF

HARBOR LAUNCHES CONTENT MASTERING AND DISTRIBUTION SERVICES

CELEBRATING ON YEAR AT HARBOR TURNMILLS, UK

A CONVERSATION WITH SHANA HAGAN, ASC AND SENIOR COLORIST NICK HASSON

HARBOR HOSTS ROGER DEAKINS IN CONVERSATION WITH BRADFORD YOUNG

ALEX GASCOIGNE JOINS HARBOR UK AS SENIOR COLORIST

Harbor Advertising Welcomes TJ Sponzo as Executive Producer

Yes, we do make it out of the dark room. Sometimes.

HARBOR’S STEVE PERSKI DETAILS HIS APPROACH TO ADVERTISING SOUND DESIGN

HARBOR IN THE PRESS VOL. 2 Read the full article on Pro Sound Effects.

LEGENDARY CINEMATOGRAPHER SIR ROGER DEAKINS IN CONVERSATION WITH BRADFORD YOUNG, ASC AT HARBOR NYC STUDIO

CREATIVE DIRECTORS NATE CALI AND ALEX CANDLISH JOIN HARBOR

HARBOR OPENS NYC HUDSON, LONDON, AND CHICAGO ADR STUDIOS

Thinking in Sound: Finding a Unique Sonic Identity with Brian Battersby

ADAM INGLIS JOINS HARBOR’S UK TALENT ROSTER AS SENIOR COLORIST

Bringing colour to Bardo, False Chronicle of a Handful of Truths – FilmLight

HARBOR ANNOUNCES NEW UK TALENT ROSTER IN PICTURE FINISHING

HARBOR ANNOUNCES SOUND TALENT TO JOIN LONDON STUDIO

HARBOR EXPANDS ITS GLOBAL VFX COMMERCIALS TALENT ROSTER

HARBOR ADDS JOHN B. CORNEY AS VP OF SALES, ENTERTAINMENT

Making the Grade: Being a ‘Swiss Army Knife’ with Billy Hobson

My Biggest Lesson: Chris Mackenzie

SOUND AND COLOR FOR DIRECTOR JAMES GRAY’S ARMAGEDDON TIME ARTICLE COURTESY OF POST PERSPECTIVE

KYLE CODY JOINS HARBOR AS CREATIVE DIRECTOR

I love imagery that enhances the story for the sake of the story: Matthew Tomlinson, Colour Scientist, Harbor

Outer Range Sound: Wyoming Landscapes and Supernatural Holes – POSTPERSPECTIVE

Senior colorist Todd Bochner joins Harbor