Harbor Sound Artists Earn Emmy Nods, Our Clients Earn 71 Nominations Across 21 Projects

Harbor is proud to announce that four of its sound artists have received Emmy nominations for their work on two…
Culture In The Press
Culture In The Press

Harbor Sound Artists Earn Emmy Nods, Our Clients Earn 71 Nominations Across 21 Projects

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Harbor is proud to announce that four of its sound artists have received Emmy nominations for their work on two standout nonfiction programs. Dan Timmons, Ian Cymore, and Ryan Billia were nominated in the category of Outstanding Sound Editing for Pee-wee As Himself, while Josh Berger earned a nomination for Outstanding Sound Mixing for Beatles ’64. These nominations reflect Harbor’s continued commitment to excellence in post-production sound across documentary and nonfiction storytelling.

In total, Harbor contributed to 21 projects that have been recognized with a combined 71 Emmy nominations this year. These nominations span a wide range of categories, including cinematography, editing, sound, and visual effects, underscoring the breadth and depth of Harbor’s creative partnerships.

Among the highlights, five cinematographers were nominated for Outstanding Cinematography across various formats, including The Studio, Adolescence, Zero Day, Ren Faire, and Pachinko. Harbor provided color, dailies, and editorial services across these projects, supporting each production’s unique visual language.

This year’s nominations are a testament to the talent of the filmmakers and artists we collaborate with and the trust they place in Harbor’s team. We congratulate all the nominees and are honored to have played a role in bringing these exceptional stories to life.

Pee-wee As Himself | Outstanding Sound Editing For A Nonfiction Or Reality Program

Supervising Sound Editor: Daniel Timmons (see reel)
Dialogue Editor: Ian Cymore (see reel)
Sound Effects Editors: Ryan Billia (see reel), Jeremy S. Bloom, Kelly Rodriguez
Music Editors: Eric Caudieux, Jonathan Zalben

Production Company: Elara Pictures
Director: Matt Wolf

Harbor // Offline Editorial, Color, VFX & Sound
Colorist: Joe Gawler (see reel)
VFX Artists: Chris Mackenzie (see reel), Kevin Szczepanski

Beatles ’64 | Outstanding Sound Mixing For A Nonfiction Program

Re-Recording Mixer: Josh Berger (see reel)
Re-Recording Music Mixer: Giles Martin

Production Company: Park Road
Director: David Tedeschi

Harbor // Color, VFX, Sound & ADR
Colorist: Joe Gawler (see reel)
VFX Artist: Chris Mackenzie (see reel)