Director Robert Eggers and the Bloodcurdling Sound of Nosferatu #DolbyCreatorTalks

Visionary director Robert Eggers joins forces with acclaimed sound artist Damian Volpe to deliver a stunning reimagining of the classic vampire tale “Nosferatu.” In this episode, Eggers and Volpe take us behind the scenes to discuss how they used cutting-edge sound design and Dolby Atmos® to create a truly terrifying and immersive experience. From the spectral sounds of Count Orlok’s castle to the brilliant use of silence and dynamic range, this conversation unpacks the intricate audio techniques that make the film so unforgettable. “I mean, it begins even before [the first scene] with the quote-unquote logo animations. [We] recreated silent film-style logos… with audio analog hiss and some wind, which morph into each other. You know, I think these horror film cold openings that end with a jump scare, when they’re done successfully… keep you on edge of your seat for the rest of the film because… you know that anything’s possible.” —Robert Eggers – Director, Writer, and Producer, “Nosferatu” Joining today’s conversation: Damian Volpe – Sound Designer, Supervising Sound Editor, and Re-recording Mixer Robert Eggers – Director, Writer, and Producer
Culture In The Press
Culture In The Press

Director Robert Eggers and the Bloodcurdling Sound of Nosferatu #DolbyCreatorTalks

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Visionary director Robert Eggers joins forces with acclaimed Harbor sound artist Damian Volpe to deliver a stunning reimagining of the classic vampire tale “Nosferatu.” In this episode, Eggers and Volpe take us behind the scenes to discuss how they used cutting-edge sound design and Dolby Atmos® to create a truly terrifying and immersive experience. From the spectral sounds of Count Orlok’s castle to the brilliant use of silence and dynamic range, this conversation unpacks the intricate audio techniques that make the film so unforgettable. “I mean, it begins even before [the first scene] with the quote-unquote logo animations. [We] recreated silent film-style logos… with audio analog hiss and some wind, which morph into each other. You know, I think these horror film cold openings that end with a jump scare, when they’re done successfully… keep you on edge of your seat for the rest of the film because… you know that anything’s possible.” —Robert Eggers - Director, Writer, and Producer, “Nosferatu” Joining today’s conversation:

  • Damian Volpe - Sound Designer, Supervising Sound Editor, and Re-recording Mixer
  • Robert Eggers - Director, Writer, and Producer