Full-service, Global Production Capabilities, 360-asset Acquisition, Still Photography & Social Assets, Early onset Integration with Post Production & VFX, Ensuring One-Point-of-Contact, Set-to-Screen Execution.
In-Lab (UK, NY, LA) & Near-Set globally with Mobile-Labs, Near-Line OCF Storage for 24/7 Automated VFX Pulls & QC via ANCHOR™
100 Edit Suites, Post-Production Offices, Avid, Premiere, Nexis and Near-Set Edit Systems
Graphics, 2D, Design, Animation, CG, Beauty, Re-touch, Clean-up, Shotgun integration & Review
On-Projection, On-Glass, Aces, P3, Rec709, HDR-10, Dolby Vision, 4k, 2k, Resolve, Baselight, Remote Review and Real-Time Grading
ATMOS, IMAX, 7.1, 5.1, ADR, VO, Dolby Fax, Zephyr, ISDN
IMF, DCP, File Delivery, NAM, GAM, VDM, LTO, Signiant Media Shuttle, Aspera, Catapult, 24/7 Digital Lab
Studio-Level Physical & IT Protocols, Key-Card Access, Air-Gapping, ACL’s, Audit-Approved, Private/Secure Connectivity between Harbor Campuses and to the Studios/Networks